Park Chan-Kyong: Citizen’s Forest

When 13 Sep 2018 - 13 Oct 2018
Where Tina Kim Gallery
525 West 21st Street
New York, NY 10011
United States
Enquiry 212.716.1100

Opening Reception: Thursday, 13 September 2018 | 6 – 8 PM

Tina Kim Gallery is pleased to present Citizen’s Forest, a solo exhibition by Park Chan-Kyong. The multi-disciplinary artist utilizes film, video and photography to examine the complex social and political history of South Korea. His work pays particular attention to Korea’s enduring folk traditions and shamanism as well as the profound impact of the Korean War and subsequent partition of North and South. On view 13 September – 13 October 2018, the exhibition includes two video works and a series of photographs by the Seoul-based artist. This is Park’s second solo show in New York; his first exhibition at the gallery was in 2016.

Situated in the front gallery is Child Soldier (2017 – 2018), a series of photographs and film stills that depict North Korean soldiers doing everyday activities. While seemingly innocuous, Park’s images suggest that young soldiers in the North Korean People’s Army may not be as ideologically rigid as portrayed. Instead Park depicts the young men as ordinary, lazy and innocent, wandering in the forest, reading and listening to music. This reimagination of daily life forces the viewer to move beyond propagandistic depictions and confront the stark ideologies that govern contemporary Korean society. Child Soldier begs the question: Is there an image of North Korea that is free of ideology, politics, or war?

Gallery two features the critically acclaimed video Citizen’s Forest (2016), a three-channel installation that serves as an allegory of modern-day Korea. Evoking literary genres ranging from Asian gothic to heavy metal, the video chronicles major tragedies in the nation’s past such as the Donghak Peasant Revolution (1894), the Korean War (1950 – 1953), the Gwangju Uprising (1980) and the recent Sewol Ferry Disaster (2014). The work’s panoramic structure evokes traditional “shan-su” (landscape) scroll paintings. This narrative format was inspired by two historical works by beloved Korean artists: Oh Yoon’s incomplete work The Lemureschronicles the many forgotten victims in Korean history and the poem by Kim Soo-young, Colossal Roots. In Citizen’s Forest, viewers are invited to accompany this ragtag group as they walk slowly through the forest; mixing history and fiction, the actors play musical instruments and impersonate the dead as they mourn the loss of their fellow citizens.

The final work in the show is a newly commissioned video titled BELIEVE IT OR NOT (2018). A scripted narrative, BELIEVE IT OR NOT tells a gripping story of State sponsored spying and deception through the eyes of defectors and those who help them escape. Confronting directly the disinformation that exists in both North and South Korea, the video is inspired by real individuals who have crossed the cultural and military borders that separate the two nations. Taking cues from people who have chosen to publicly denounce their country of origin, resettle and then sometimes return home again, Park tells a story where defectors may in fact be acting as spies and double agents and it is never clear what one’s motives really are. In so doing, Park forces the audience to question the integrity and motivations of both North and South Korea, relaying the stark human cost of Cold War politics and propaganda, and confronting the fear and paranoia that still underlies the Korean peninsula.

Photo courtesy of the artist.

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