SLAVS AND TATARS: NEVER GIVE UP THE FRUIT

When 6 Oct 2012 - 18 Nov 2012
Where Forever & Today, Inc.
141 Division Street
New York, NY 10002
United States
Cost Artist talk free and open to the public, please RSVP at RSVP@FOREVERANDTODAY.ORG

Courtesy of Slavs and Tatars and Forever & Today, Inc.

October 6  November 18, 2012

Opening Reception: Friday, October 5 2012, 6-8pm

Artist Talk: Thursday, October 4 2012, 7pm, at Abrons Arts Center, 466 Grand Street, NYC

Press Release:

CURATED BY INGRID CHU AND SAVANNAH GORTON

COMMISSIONED BY FOREVER & TODAY, INC.

Forever & Today, Inc. announces Never Give Up The Fruit, a new commission by the international artist collective Slavs and Tatars. Combining academic field research, history, languages, and culture with a sense of humor, Slavs and Tatars’ multi-disciplinary work spans installations, publications, printed materials, artist talks, lectures, and events. Their work is self-described as a “faction of polemics and intimacies devoted to an area east of the former Berlin Wall and west of the Great Wall of China known as Eurasia.” Never Give Up The Fruit features a newly commissioned installation by Slavs and Tatars exhibited at Forever & Today, Inc.’s Chinatown/Lower East Side storefront, and public programs including a talk by Slavs and Tatars, “Not Moscow Not Mecca” and a children’s storytelling event hosted by education programs partner Abrons Arts Center.

Focusing on Xinjiang, the westernmost region of the People’s Republic of China (also known as “East Turkestan” or “Uyghuristan” to the area’s ethnic Muslim Uyghurs), Never Give Up The Fruit explores the triangulation of Uyghur culture between the twin ideological poles of communism and political Islam, Russia, and China. The exhibition takes its title from the legend of the Fragrant Concubine, the Uyghur Khoja Iparhan, also known as Xian Fe. Renowned as not only beautiful, but irresistible because of her enticing honeydew-like aroma, Khoja Iparhan was kidnapped to pleasure the Qianlong Emperor of the Qing Dynasty. Taken against her will, Khoja Iparhan refused to submit to the Emperor’s desires, and in effect, she “never gave up the fruit.”

Slavs and Tatars’ installation takes both the legend of the Fragrant Concubine and the Uyghur Hami melon as a point of departure for the concept of resistance and self-preservation. Now ubiquitous among Forever & Today, Inc.’s neighborhood Chinese fruit stands, the precious Hami melon was historically traded along the Silk Road and sent by the Uyghurs as tribute to the Chinese Emperors of the Qing Dynasty. Featuring hanging green speckled hand-blown glass “melon” lamps within the installation, the suspended rope-knotted lamps, appearing much like the melons traded in the ancient fruit markets of Uyghuristan, are attached to a wooden ceiling structure forming Chinese characters that translate into “dissimulation.”

A concept found often in Shi’a Islam, dissimulation is a permissible form of deception or strategy whereby the truth of one’s beliefs or convictions is concealed to protect a believer from eminent harm and injury. The project is the newest installment of “The Faculty of Substitution,” Slavs and Tatars’ new cycle of work begun in 2012, a look at the syncretic and sacred as agents for change in the material world. Never Give Up The Fruit sees in the Hami melon a talismanic quality, a fruit of indulgence and resistance at once, highlighting not only the cultural but also the affective and sensorial singularity of the Uyghurs.

SLAVS AND TATARS‘ solo exhibitions include Künstlerhaus, Stuttgart (2013); Presentation House, Vancouver (2013); REDCAT, Los Angeles (2013); The Museum of Modern Art, New York (2012); Secession, Vienna (2012); Neuer Aachener Kunstverein, Aachen (2011); and Netwerk Center for Contemporary Art, Aalst (2009); among others. Group exhibitions include 9th Gwangju Biennial, Gwangju (2012); The Museum of Modern Art, New York (2012); New Museum, New York (2012, 2009); 10th Sharjah Bienniale, UAE (2011); Konsthall C, Stockholm (2011); Kunstverein München, Munich (2011); Salt Beyoğlu, Istanbul (2011); Tate Modern, London (2011); Witte de With, Rotterdam (2011); ARGOS centre for art and media, Brussels (2010); BAIBAKOV art projects, Moscow (2010); Frieze Art Fair Sculpture Park, London (2010); Goethe-Institut, New York (2009); Casco Projects, Utrecht (2008, 2006); NCCA, Moscow Biennale of Young Artists, Moscow (2008); Art Metropole, Toronto (2007); Colette, Paris (2007); Moscow Biennial of Contemporary Art, Moscow (2007); and Printed Matter, Inc., New York (2007); among others. Their work has been featured in publications including 032cArt Asia Pacific,ArtforumArtReviewBidounFillipfriezeThe GuardianKaleidoscopeManifesta JournalMetropolis MThe New YorkerNew York Magazine, and The New York Times among others. Slavs and Tatars have published several books including Kidnapping Mountains (Book Works, 2009), Love Me, Love Me Not: Changed Names(onestar press, 2010), Not Moscow Not Mecca (Revolver/Secession, 2012), and Khhhhhhh (Mousse/Moravia Gallery, 2012), as well as their translation of the legendary Azeri satire Molla Nasreddin: the magazine that would’ve, could’ve, should’ve (JRP-Ringier, 2011). Their works are in collections including The Museum of Modern Art, New York and Sharjah Art Foundation, UAE, among others.

FOREVER & TODAY, INC. is a non-profit organization founded in 2008 with a mission to curate and commission projects by a single artist, collective, or collaborative entity, extending opportunities to create new work and engage diverse audiences through exhibitions, site-specific installations, performances, publications, and educational and public programs. Sponsored by New York Foundation for the Arts (NYFA), a 501(c)(3), Forever & Today, Inc. currently inhabits a 100-square-foot storefront on the cusp between New York’s Lower East Side and Chinatown.

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