A Disappearing Act: Su Yu-Hsien and Cici Wu

Su Yu-Hsien
Cici Wu
A Disappearing Act
Feb 16 – Feb 27, 2017

Opening: Thursday, Feb 16, 7 – 9pm
Hours: Saturday – Thursday, 12 – 8pm
Venue: Triangle, 20 Jay Street, #317, Brooklyn, NY 11201

… technique finally reproducing permanently the violence of the accident; the mystery of speed remains a secret of light and heat from which even sound is missing.
– Paul Virilio, Aesthetics of Disappearance

A Disappearing Act presents two newly commissioned projects by Su Yu-Hsien and Cici Wu, both developed from archival research in an effort to reconstruct historical works that were either lost, fragmented, never realized, or inherently ephemeral. Thinking of archives as constructive and active catalysts that generate new meanings and spur artistic imagination, the exhibition aims to reflect on the boundary between originality and reproducibility, and to explore questions surrounding the notion of authorship: What does it mean to sign one’s name, or to withdraw it? What happens when images begin to circulate in absence of ‘the artist’?

The project further investigates the politics and practices of those who resist through the act of disappearing. Su’s restaging of Prophet, a play written by the Taiwanese avant-garde artist Huang Hua-Chen (1935-96), much of whose work has been lost due, in part, to lack of attention as well as the nature of his diffuse and guerilla-like practice. Originally performed in 1965 and never again, Prophet explored the deep anxiety towards modernity in post-war Taiwan, in which the artist, assigned the role of a transcriber, imagines the self-destruction of humankind: ‘In absolute darkness, just like right now, colors cease to exist. In the airless outer space, speech has become impossible.’

The theme of impossible speech reappears in White Dust from Mongolia, an unfinished film by Theresa Hak Kyung Cha (1951-82). Cha once wrote about her mother, a refugee in Manchuria escaping the Japanese occupation of Korea, speaking in the dark, in a whisper, in secret: ‘The tongue that is forbidden is your own mother tongue.’ As a female artist living in the diaspora, Wu feels an affinity with Cha. Based on the study of Cha’s writings, storyboards, and raw footage, Wu transforms and materializes the unfinished film shot-by-shot into interconnected objects, images, and forms, creating a machine — a receptacle of sensations, in which passages of memory disappear in the abstraction of pure light.

Curated by Xiaofei Mo.

Public Programs
Conversation with Howie Chen, Su Yu-Hsien, and Cici Wu
Feb 23, 7pm

Das Blut, im Fruchtfleisch gerinnend beim Birnenbiss: Screening and Conversation with Tobias Madison
Feb 27, 7pm

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SU Yu-Hsien (b.1982, Tainan, Taiwan) works as an independent curator and artist, and in his work, often addresses the underrepresented in society, culture, and history, and the possibilities of empowerment through whimsy. Selected exhibitions include the Taipei Biennial 2016: Gestures and Archives of the Present, Genealogies of the Future, the 54th Venice Biennial Taiwan Pavilion: The Heard and the Unheard – Soundscape Taiwan, among others. He graduated from the Department of Plastic Arts, National Tainan University of the Arts.

Cici WU (b.1989, Beijing, China) generally avoids the political and reaches for the universal. Interested in plurality and the complexity of belongings that she cannot forget, she is growing by the day at PRACTICE, the alternative art space she co-organizes with other artists. Having received her bachelor degree from School of Creative Media, City University Hong Kong, and completed her MFA at Maryland Institute College of Art, she recently participated in a show entitled Mosquitoes, Dusts and Thieves at 47 Canal, New York.

Image caption: Huang Hua-Chen, Prophet, 1965


Facilitated by Asia Art Archive in America, in collaboration with Triangle Arts Association.

The program is supported, in part, by Taipei Cultural Center in New York and public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

ALL KEYWORDS

Afghanistan, Alternative Space, American History, Animation, Anthology, Architecture, Archive, Art Administration, art history, artist's book, artist’s book, Asia Art Archive, Asian American, Automation, Autonomy, avant-garde, Bangladesh, Cambodia, Censorship, ceramic art, Chance, China, Chinatown, cities, collage, Collecting, Collective, Collectivity, Communism, conceptual photography, Cultural Revolution, culture, Curating, Cutlural Revolution, Design, Diaspora, Displacement, Documentary, Domestic Labor, Drawing, Economics, Education, encyclopedia, EPOXY, Exhibition History, Experimental Music, Feminism, Fiction, Fluxus, Folklore, Form, Gender, Geography, ghosts, Godzilla, Graphic Novel, Gwangju Biennale, histories, Hong Kong, Identity, Imaging, Imitation, Independent Publisher, Index, India, Infrastructure, ink, ink painting, Installation, installation art, Institution, Internet, Island, Japan, Khmer Rouge, Korea, Labor, Land, Language, Locality, Madagascar, Malaysia, Manananggal, mapping, Memory, Mexico, Migrant Workers, Miniature Painting, Minimalism, mixed media, Model Opera, Moving Image, Music, mythology, nationalism, Nations, New Media Art, New York City, North Africa, oil, oil painting, painting, paintings, Pakistan, Pakistani, Pedagogy, people, Perennial exhibition, Performance, performance art, Philippines, Photography, Pop Culture, Pop Music, prints, Protest, Public Space, Publication, Realism, Revolution, Sci-Fi, Science, Sculpture, Shamanism, Singapore, Small Press, Socialist Realism, sound, South Asia, Southeast Asia, Sri Lanka, Surveillance, System, Taiwan, Thailand, the Middle East, The Philippines, Theater, Tomato Grey, Tradition, Tunisia, United States, Vampires, Video Art, Vietnam, Violence, War, watercolor, woman artist, women artists, woodcuts, Zhejiang Academy, Zine

ARTISTS, CRITICS, CURATORS, AND OTHER CONTRIBUTORS

Aisha Khalid, Alexandra Chang, Alexandra Munroe, Alf Chang, Amy Lien, Amy WOOD, Annysa Ng, Anthony Yung, Arin Rungjang, Ashley Billingsley, Ashok Sukumaran, Bani Abadi, Bani Abidi, Barbara London, Bing Lee, Birgit DONKER, Boris Groys, Brinda Kumar, Cai Guoqiang, CAMP, Cao Fei, Casey Tang, Chang Chao Tang, Chen Chieh-jen, Chen Tong, Chen Wei-ching, Chen Xiaomei, Chihoi, Christoph NOE, Christopher K. Ho, Christopher Phillips, Chương-Đài Võ, Cici Wu, Cooperativa Cráter Invertido, Cosmin Costinas, David Smith, Desire Machine Collective, Dinh Q Le, Dooeun Choi, Ei Arakawa, Eleanor Heartney, Enzo Camacho, Erin Gleeson, Eugene Wang, Fang Lu, Farah Wardani, Fei Dawei, FENG Yuan(馮原), Frédéric Dialynas Sanchez, fwf, Gao Shiming, Gianni Jetzer, Glenn Phillips, Go Hirasawa, Hammad Nasar, Heman Chong, Herb Tam, Hiroko Tasaka, Hitomi Iwasaki, Ho Tzu Nyen, Howie Chen, Huang Chien-Hung, Huang Hua-Chen, HUANG Xiaopeng, I-Hua Lee, Il Lee, Ingrid Chu, Jaeyong Park, Jane DeBevoise, Jean-Hubert Martin, Jennifer Davis, Jewyo Rhii, Joan Lebold Cohen, Joanne, John Pirozzi, Julian Ross, Jun Yang, June Yap, Kaho Albert Yu, Katherine Grube, Kim Yong-Ik, Kit Yi Wong, Koki Tanaka, Korakrit Arunanondchai, Laurel Ptak, Lê Thuận Uyên, Lee Kit, Lee Mingwei, Lee Weng Choy, Lesley Ma, Levi Easterbrooks, Li Ming, Li Ran, Li Xiaofei, Liang Jianhua, Lin Yilin, LinDa Saphan, Liu Ding, Liu Shiyuan, Lynn Gumpert, Lyno Vuth, Maline Yim, Mao Chenyu, MAP Office, Margaret Lee, Margo Machida, Mariam Ghani, Marvin Taylor, Meghan Forbes, Meiya Cheng, Mel Bochner, Michelle Wong, Michelle Yun, Midori Yoshimoto, Murtaza Vali, Museum of Unknown, Nadim Abbas, Naeem Mohaiemen, Nate Hun, Nico Baumbach, Nikhil Raunak, nos:books, Ocean Leung, Onejoon Che, Pad.ma, Pak Sheung Chuen, Pan An-yi, Park Chankyong, Passenger Pigeon Press, Patty Chang, Pi Li, Polit-Sheer-Form Office, Prem Krishnamurthy, Qiu Anxiong, Qiu Deshu, Qiu Zhijie, Rabbya Naseer, Rania Ho, Raqs Media Collective, Reiko Tomii, Richard Vine, Rina Banerjee, Roslisham Ismail a.k.a. Ise, Ruijun Shen, Ryan Lee Wong, Saadia Toor, Sabih Mohd Ahmed, Samsom Young, Samson Young, Sareth Svay, Sean Anderson, Sen Uesaki, Shaina Anand, Sharmini Pereira, Shiraga Kazuo, Shuddhabrata Sengupta, Sohl Lee, Son Ni, Song Dong, Sopheap Pich, Stephanie Comilang, Su Yu-Hsien, Sung Hwan Kim, Sunghee Lee, Tabaimo, Takahiko Iimura, Takeshi Ikeda, Tammy Nguyen, Tang Kwok Hin, Teresa Kwong, Theresa Hak Kyung Cha, Tiffany Chung, Tobias Madison, Trần Minh Đức, Uli Sigg, Wang Jianwei, Wang Jing, Wang Wei, William LIM, Work on Work, Wu Shanzhuan, Xiaoyu Weng, Xin Wang, Xu Bing, Xu Tan, YANG Jiechang, Yin Xiuzhen, Ying Kwok, YOUNG-HAE CHANG HEAVY INDUSTRIES, Yung MA, Zhang Hongtu, Zhang Peili, Zheng Shengtian, Zhou Tao, Zoe Butt