Misplaced Oblivion: Art Archiving in Iran


Friday, April 20, 7:00pm
Asia Art Archive in America

43 Remsen Street, Brooklyn, NY 11201

Space is limited and registration is required.
Tickets Available Here

Join us for a presentation by Kimia Maleki in conversation with Dr. Nora A. Taylor on the state of Art Archiving in Iran. What will remain of Iranian contemporary art if Iran goes to war? If the museums and art objects currently chosen to be protected are not representative of Iranian contemporary art, how will our understanding of Iran’s art be formed? Inside the Islamic Republic of Iran, national archives and private galleries were initiated, partially to preserve historical material, yet many documents are still excluded. Iranian contemporary art suffers from a lack of institutional support and a lack of archives that have authority, physical space, and sustained support. Ideally archives should be both transparent and protected, accessible and preserved, but archives like this do not yet exist in Iran. What is the way forward?

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Kimia Maleki (M.A., School of the Art Institute of Chicago, B.A., University of the Arts, Tehran) is interested in historiography, archiving, and curatorial practice, especially as pertains to Iran. During her undergraduate studies, she created the first comprehensive art students magazine (Gahname Honar), and, more recently, she completed an M.A. thesis entitled “State of Art Archiving in Iran: Now & Then.” She curated an exhibition at the Ryerson and Burnham Libraries of the Art Institute of Chicago titled “Islamic Art at the Art Institute: A Century of Exhibitions and Acquisitions,” 2016, and “Sedentary Fragmentation,” 2017 in Heaven Gallery.

Dr. Nora A. Taylor is the Alsdorf Professor of South and Southeast Asian Art History at the School of the Art Institute of Chicago. She is the author of Painters in Hanoi: An Ethnography of Vietnamese Art (Hawaii and Singapore Press, 2004 and 2009) and coeditor of Modern and Contemporary Southeast Asian Art: An Anthology (Cornell SEAP Press, 2012) as well as numerous articles on modern and contemporary Vietnamese and Southeast Asian art. She was also curator of Breathing is Free: 12 756.3 Recent Work by Jun Nguyen-Hatsushiba at SAIC and a recent recipient of a Guggenheim Fellowship.

Image caption: Due to the fast pace of urban redevelopment in Tehran, private libraries are often discarded and recycled. Photo by Kimia Maleki, 2012.


This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.

ALL KEYWORDS

abstract art, Abstraction, Access, Afghanistan, Alternative Space, American History, Animation, Anthology, Architecture, Archive, Art Administration, art history, Artificial Intelligence, artist book, artist's book, artist’s book, Asia Art Archive, Asian American, Automation, Autonomy, avant-garde, Bangladesh, Burma, Cambodia, care-giving, Catalogue, Censorship, Central Asia, ceramic art, Chance, Chengdu, China, Chinatown, cities, collage, Collecting, Collective, Collectivity, Communism, conceptual photography, Cultural Revolution, culture, Curating, Cutlural Revolution, Design, Diaspora, Displacement, Documentary, Domestic Labor, Drawing, Economics, Education, encyclopedia, EPOXY, Exhibition History, Experimental Music, Feminism, Festivals, Fiction, Fluxus, Folklore, Form, Foundations, Gender, Geography, ghosts, Godzilla, Graphic Novel, group exhibition, Gwangju Biennale, histories, history, Hong Kong, Identity, Imaging, Imitation, Independent Publisher, Index, India, Indonesia, Infrastructure, ink, ink and colors, ink painting, ink-painting, Installation, installation art, Institution, Internet, Iran, Island, Japan, Khmer Rouge, Korea, Labor, Land, Land Art, Language, Lhasa, Locality, Madagascar, Malaysia, Manananggal, mapping, Memory, Mexico, Migrant Workers, Migration, Miniature Painting, Minimalism, mixed media, Model Opera, mourning, Moving Image, Museum studies, Museums, Music, Myanmar, mythology, nationalism, Nations, New Media Art, New York City, North Africa, oil, oil painting, painting, paintings, Pakistan, Pakistani, Pedagogy, people, Perennial exhibition, Performance, performance art, Philippines, photographs, Photography, Pop Culture, Pop Music, prints, Protest, Public Space, Publication, Realism, Revolution, Saudi Arabia, Sci-Fi, Science, Sculpture, Secrets, Shamanism, Singapore, Small Press, Socialist Realism, Sonic Art, sound, Sound Art, South Asia, South East Asia, Southeast Asia, Sri Lanka, Surveillance, System, Taiwan, Thailand, the Middle East, The Philippines, Theater, Tibet, Tomato Grey, Tradition, trama, Tunisia, United States, Unity, Vampires, Video Art, Video Game, Vietnam, Violence, War, Water Rights, watercolor, watercolour painting, woman artist, women artists, woodcuts, Zhejiang Academy, Zine

ARTISTS, CRITICS, CURATORS, AND OTHER CONTRIBUTORS

Aisha Khalid, Alexandra Chang, Alexandra Munroe, Alf Chang, Amy Lien, Amy WOOD, Annysa Ng, Anthony Yung, Arin Rungjang, Ashley Billingsley, Ashok Sukumaran, Bani Abadi, Bani Abidi, Barbara London, Betsy Damon, Bing Lee, Birgit DONKER, Boon Hui Tan, Boris Groys, Brinda Kumar, Cai Guoqiang, CAMP, Cao Fei, Casey Tang, Chang Chao Tang, Chen Chieh-jen, Chen Tong, Chen Wei-ching, Chen Xiaomei, Chihoi, Christoph NOE, Christopher K. Ho, Christopher Phillips, Chương-Đài Võ, Cici Wu, Cooperativa Cráter Invertido, Cosmin Costinas, David Smith, Desire Machine Collective, Dinh Q Le, Dooeun Choi, Ei Arakawa, Eleanor Heartney, Enzo Camacho, EPOXY Art Group, Erin Gleeson, Eugene Wang, Fang Lu, Farah Wardani, Fei Dawei, FENG Yuan(馮原), Frédéric Dialynas Sanchez, fwf, Gao Shiming, Gianni Jetzer, Glenn Phillips, Go Hirasawa, Hajra Waheed, Hammad Nasar, Heman Chong, Herb Tam, Hiroko Tasaka, Hitomi Iwasaki, Ho Tzu Nyen, Howie Chen, Huang Chien-Hung, Huang Hua-Chen, HUANG Xiaopeng, I-Hua Lee, Il Lee, Ingrid Chu, Jaeyong Park, Jane DeBevoise, Jean-Hubert Martin, Jennifer Davis, Jewyo Rhii, Joan Lebold Cohen, Joanne, John Pirozzi, Julian Ross, Jun Yang, June Yap, Kaho Albert Yu, Katherine Grube, Kim Yong-Ik, Kimia Maleki, Kit Yi Wong, Koki Tanaka, Korakrit Arunanondchai, Laurel Ptak, Lê Thuận Uyên, Lee Kit, Lee Mingwei, Lee Weng Choy, Lesley Ma, Levi Easterbrooks, Li Ming, Li Ran, Li Xiaofei, Liang Jianhua, Lin Yilin, LinDa Saphan, Liu Ding, Liu Shiyuan, Lynn Gumpert, Lyno Vuth, Maline Yim, Mao Chenyu, MAP Office, Margaret Lee, Margo Machida, Mariam Ghani, Marvin Taylor, Meghan Forbes, Meiya Cheng, Mel Bochner, Michelle Wong, Michelle Yun, Midori Yoshimoto, Ming Fay, Miwako Tezuka, Moe Satt, Murtaza Vali, Museum of Unknown, Nadim Abbas, Naeem Mohaiemen, Nate Hun, Nico Baumbach, Nikhil Raunak, Nora Taylor, nos:books, Ocean Leung, Onejoon Che, Pad.ma, Pak Sheung Chuen, Pan An-yi, Park Chankyong, Passenger Pigeon Press, Patty Chang, Pi Li, Polit-Sheer-Form Office, Prem Krishnamurthy, Qiu Anxiong, Qiu Deshu, Qiu Zhijie, Rabbya Naseer, Rania Ho, Raqs Media Collective, Reiko Tomii, Richard Vine, Rina Banerjee, Risha Lee, Roslisham Ismail a.k.a. Ise, Ruijun Shen, Ryan Lee Wong, Saadia Toor, Sabih Mohd Ahmed, Samita Sinha, Samsom Young, Samson Young, Sareth Svay, Sean Anderson, Sen Uesaki, Shaina Anand, Sharmini Pereira, Shiraga Kazuo, Shuddhabrata Sengupta, Simon Wu, Sohl Lee, Son Ni, Song Dong, Sopheap Pich, Stephanie Comilang, Stephanie H. Tung, Su Yu-Hsien, Sung Hwan Kim, Sunghee Lee, Tabaimo, Takahiko Iimura, Takeshi Ikeda, Tammy Nguyen, Tang Kwok Hin, Teresa Kwong, Theresa Hak Kyung Cha, Tiffany Chung, Tobias Madison, Trần Minh Đức, Uli Sigg, Wang Jianwei, Wang Jing, Wang Wei, William LIM, Work on Work, Wu Shanzhuan, Xiaoyu Weng, Xin Wang, Xu Bing, Xu Tan, YANG Jiechang, Yang Wang, Yin Xiuzhen, Ying Kwok, YOUNG-HAE CHANG HEAVY INDUSTRIES, Yung MA, Zhang Hongtu, Zhang Peili, Zheng Shengtian, Zhenzhen Qi, Zhou Tao, Zoe Butt