The Very Quick of the Word

Author: Ken OKIISHI (Artist) ; Annie Godfrey LARMON (Curator)

‘Ken Okiishi’s artwork has explored the subject in between digital and continuous space, the changing nature of authorship, memory, and perception, and the indeterminacy of consciousness as it clashes with the strictures of technology. He has engaged seminal works by figures including Woody Allen, Arthur Rimbaud, Marcel Duchamp, Stephen Spielberg, David Wojnarowicz, Jacques Demy, and Larry Clark (and the histories and personalities that circulate around these cultural products), infusing them with autobiographical and technological elements that reframe them through the incongruity of “real life.” While working on the exhibitions at MIT and CCS Bard that occasion this publication, Okiishi realized a radical material rupture in his work, as linguistic and bodily glitches became registered both inside and outside the screen, and the surface of media itself became the support surface for weirdly gestural paintings. This series of works, titled gesture/data, was first exhibited at CCS Bard and, most recently, was exhibited to great acclaim at the 2014 Whitney Biennial. This book is the first instance of considering Okiishi’s work from the last fifteen years as a heterogeneous whole.’
- extract from Sternberg Press

For book’s call page, please click here.

Organizer: List Visual Arts Center, Massachusetts Institute of Technology (New York - United States)
Venue: Hessel Museum of Art, Center for Curatorial Studies, Bard College (New York - United States)
Location Code: MON. OKK
Language: English
Published by: Sternberg Press (Berlin - Germany)
Year of Publication: 2014
No. of Pages: 160
ISBN: 9783956790645