2019-20 PRATT FINE ARTS VALS: SHAHZIA SIKANDER
14 Apr 2020
7:00PM - 8:30PM
|Where||Higgins Hall Auditorium, Pratt Institute Brooklyn Campus
200 Willoughby Avenue
Brooklyn, NY 11205
[Pratt Institute is temporarily closed and this event may have been canceled. Please check the organizer's website for up-to-date information.]
Each year Pratt Fine Arts invites contemporary artists to campus for a public lecture and to conduct studio visits with fine arts graduate students. This Visiting Artists Lecture Series (VALS) is coordinated by graduate student leaders. The aim is to provide our students with exposure to a wide array of artists working in a variety of fields at various stages in their career.
April 14, 2020: SHAHZIA SIKANDER
Born in Lahore, Pakistan in 1969, Shahzia Sikander received her BFA in 1991 from the National College of Arts, Lahore, Pakistan, where she underwent rigorous training under master miniaturist Bashir Ahmed. The first student Ahmed invited to teach alongside him, she subsequently became the first artist from the Miniature Painting Department at the NCA to challenge the medium’s technical and aesthetic framework. Sikander’s breakthrough work, The Scroll (1989-90), received national critical acclaim in Pakistan, winning the prestigious Shakir Ali and Haji Sharif awards for excellence in miniature painting and launching the medium into the forefront of the NCA’s program. Sikander moved to the United States in 1993 to pursue her MFA at the Rhode Island School of Design, which she completed in 1995.
Sikander’s pioneering practice takes classical Indo-Persian miniature painting as its point of departure and challenges the strict formal tropes of the genre by experimenting with scale and various forms of new media. Informed by South Asian, American, Feminist and Muslim perspectives, Sikander has developed a unique, critically charged approach to this time-honored medium––employing its continuous capacity for reinvention to interrogate ideas of language, trade, empire, and migration. Sikander’s innovative work led to her meteoric rise internationally in the mid-nineties with survey exhibitions at the Renaissance Society at the University of Chicago (1998), the Kemper Museum of Contemporary Art (1998), the Hirshhorn Museum and Sculpture Garden (1999), and the Whitney Museum of American Art (2000).
Image courtesy of the event organizer.
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