Legacies of Leftism in Film and Media Theory: East Asia and Beyond
|When||28 Feb 2019 - 2 Mar 2019|
|Where||Columbia University, The Lenfest Center for the Arts
615 West 129th Street
New York, NY
How have Leftist traditions inspired film and media theories across the world, and what can we learn from these traditions today as we explore new methodologies in film and media studies and new political possibilities in the contemporary world?
Marxist theory has been considered a major influence on film and media theories in Europe and North America, from the critical theory of the Frankfurt School, the theories of Althusser, to the Birmingham School of Cultural Studies. Moving away from these more familiar stories in Europe and North America, this conference takes East Asia as a focal point to investigate “Leftism” as changing, plural and contested positions in theory and politics that have tied emerging mass media forms to revolutionary upheavals and anti-imperial struggles in the region and beyond.
At the conference, we use “media” in the broadest sense of the term, including print, photography, film, animation, contemporary digital new media and more. We problematize “film and media theory” and its locations, excavating theory within the specific contexts of practice and criticism in East Asia. Situating East Asia within broader transnational circuits of travel, translation and transformation, we ask how Leftist ideas have entered into other discourses such as anti-imperialism, nationalism, populism, statism, and developmentalism, and how such imbrications have impacted aesthetic theories as well as political, economic and social formations in the region.
Co-sponsors : The Society of Fellows and Heyman Center for the Humanities; Weatherhead East Asian Institute; Dragon Summit Fund, C.V. Starr East Asian Library, Donald Keene Center for Japanese Studies; Center for Korean Research; Academy of Korean Studies; Film and Media Studies, School of the Arts; Columbia Center for Contemporary Critical Thought; Center for Chinese Literature and Culture; Department of East Asian Languages and Cultures; Institute for Comparative Literature & Society; Division of Humanities in Arts and Sciences Columbia University; Center for Comparative Media; School of the Arts Dean’s Global Programs; Sites of Cinema Faculty Seminar; Permanent Seminar on Histories of Film Theories; Columbia University Press; Executive Vice President of Arts & Sciences Columbia University; Columbia Global Center l Beijing
Weihong Bao, Associate Professor of Film and Media & East Asian Languages and Cultures, University of California-Berkeley (China, Marxism, media and environment)
Laikwan Pang, Professor of Cultural Studies, Chinese University of Hong Kong (China, semiotics of the counterfeit/intellectual property rights, cultural studies)
Lingzhen Wang, Associate Professor, Department of East Asian Studies, Brown University (China, feminism, comparative literature, cultural studies)
Ho Lok Victor Fan, Senior Lecturer, Film Studies, King’s College, London (China, critical theory)
Yomi Braester, Professor, Department of Comparative Literature, Cinema & Media, University of Washington (literary and visual practices, with emphasis on modern China and Taiwan—in architecture, advertisement, screen media, and stage arts)
Jason McGrath, Associate Professor, Department of Asian Languages and Literatures, University of Minnesota (Chinese and international cinemas; realism in fiction, film, and theory; Chinese and Western Marxism)
Aaron Gerow, Professor of Film Studies and East Asian Languages & Literatures, Department of East Asian Languages & Literatures, Yale University; (Japanese film and literature, film theory, television, animation, manga, film genre, East Asian cinema)
Diane Wei Lewis, Assistant Professor of Film and Media Studies, Washington University (Japanese cinema; early and silent cinema; film and art movements; theories of play)
Alexander Zhalten, Associate Professor of East Asian Languages and Civilizations, Harvard University (Japan, Nyu Aka theorists, German sexploitation, avant-garde film)
Anastasia Fedorova, Associate Professor of Institute for Oriental and Classical Studies, Moscow Higher School of Economics (Japanese and Russian cinema, montage and sound theory)
Moonim Baek, Professor of Korean Language & Literature, Director of Institute of Media Art, Yonsei University (Korea, colonial cinema, theories of subjectivity)
Jaeho Kang, Associate Professor of Communication, Department of Communication, Seoul National University (Walter Benjamin, Korea, intersection of media/space/body)
Soyoung Kim, Professor of Cinema Studies, Korea National University of Arts; President of the Association of Korean Cultural Studies (2018- present), Director of Trans Asia Screen Culture Institute, and filmmaker (Korea, feminism, modernity, social space, documentary film)
Travis Workman, Associate Professor, Department of Asian Languages and Literatures, University of Minnesota (Korean and Japanese literature, film, and intellectual history, Marxism, postcolonial studies, humanism and empire, critical theory, film melodrama, Cold War aesthetics, North Korea)
Image courtesy of the organizer.
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