Sublimity 化境: Recent Works by Hou Beiren
|When||23 Feb 2014 - 29 Mar 2014|
510 Broadway, Ste. 301
Millbrae, CA 94030
|Enquiry||650 259 2100|
Opening: February 22, 2-4pm
As one of very few living legendary artists of our times, Hou’s most valuable contributions are undoubtedly his audacious experiments and achievements in his successful integration of Western and Chinese painting techniques. Hou has invented a distinctive style of his own within the genre of splash ink and color, which is best demonstrated in his most recent works shown in this current exhibition.
The innovation of contemporary splash ink and color genre in Chinese painting was the result of frequent brainstorming meetings between Hou and the late legendary painting master Chang Dai-chien at Hou’s home in the late 1960s. These collaborative explorations in a new genre gave birth to Chang’s “blue-and-green” works and Hou’s landscapes.
Hou cites 1960s Western painting as an influence on his own practice, “the Abstract Expressionism had inspired me in many ways”. In his earlier works, we still could see a well-kept balance between real world natural landscapes and abstract patterns of rich colors and lights. Gradually, the abstract patterns of harmonious yet contrasting colors and lights became predominant while realistic objects have become either undetectable or disappeared completely.
The highest Chinese standard for a sublime masterpiece is never the photographic portrayal of the actual form of the object painted but the unveiling of its innate spirit beneath the physical forms. The true appreciation of a sublime masterpiece is to feel with heart rather than see with eyes. This applies best to Hou’s works. As the physical forms of natural landscapes increasingly fade away from us, we are brought increasingly closer and ever more overwhelmed by the innate “spirit” or “soul” beneath.
At the sublime stage, the works of an artist are no longer merely reflections of his painting skills and techniques, but his overall aesthet ic and intellectual cultivation. Well-versed in Chinese classics and literature, and a celebrated poet and writer, Hou has mastered a vernacular to communicate the innate subtleties of the spirit.
The abstract expression simplifies and purifies the multitude of physical forms of mountains and waters into two-dimensional color pigments. His erudite aesthetic and intellectual cultivation adds an additional dimension of varied rhythms and patterns for observers to penetrate beneath the physical forms and feel the innate “spirit” or “soul”, which makes Hou’s works reach an elite level of artistic sublimity.
Hou Beiren was born in 1917 in Liaoning, China and graduated from Kyushu University, Japan in 1943. During his early years, he studied painting under Li Zhongchang, then with Huang Binhong and Zheng Shiqiao. Hou moved from Hong Kong to the United States in 1956 and settled in “Old Apricot Villa”, his home in Los Altos, California. For the next half century, Hou has been engaged in art creation and established his own unique and innovative “splash ink and color” painting style, which seamlessly integrated both Eastern and Western aesthetics. Hou is regarded as one of the most influential overseas Chinese artists to the transformation of Chinese painting.
Hou’s works have been exhibited and collected throughout the US and internationally, including Fine Arts Museums of San Francisco, San Jose Museum of Art, National Art Museum of China, Nanjing Museum, Zhejiang Art Museum, and Austria Museum of Modern Art. In 2004, the City of Kunsha n in Jiangsu, China built Hou Beiren Art Museum to house 300 pieces of Hou’s donation containing his works and rare collections. In 2013, Liaoning Art Museum established Hou Beiren and Zhang Yunqin Gallery.
Photo courtesy of the organiser/s
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