|When||8 Sep 2018 - 27 Oct 2018|
291 Church St,
New York, NY 10013
organized by Evelyn Owen
Opening Reception: Friday, September 7, 6-8 pm
Tracing Obsolescence brings together four artists who explore the material and psychic traces left by declining industrial-scale manufacturing and extraction. Through printmaking, sculpture, installation, and performance, they attend to goods that have been discarded, places that are abandoned, and memories that seem forgotten. In so doing, they question the nality of obsolescence, reactivating materials and intervening in processes of deterioration in order to investigate contemporary environmental, socio-economic, and geo-political crises.
Tahir Karmali explores abusive mining practices in Africa, as well as disposable consumerism; he ritually deconstructs discarded technologies such as old mobile phones to obtain substances like cobalt and copper, disrupting their typical path toward the trash heap. Sto Len makes monoprints directly from the polluted waterways of New York City’s Newtown Creek, drawing attention to environmental problems of urban post-industrial wastelands by repurposing their ef uence in-situ as an artistic medium. Selasi Awusi Sosu uses video and sound to create ghostly holographic re- stagings of the now defunct glass bottle manufacturing process in Ghana, while Dana Whabira’s installation highlights the rise of automation and the fall of machinery, technology and people that have become redundant or terminated.
Together, these artists’ works propose non-linear, context-embedded ways of tracing obsolescence in post-industrial landscapes, revealing material circuits and trajectories that may be redirected to create unexpected, problematic, and mysterious beauty.
Image courtesy of the organizer.
For more information, please click here.