Art+Feminism: Wikipedia Edit-a-thon on Women in Art in Asia

Asia Art Archive in America/New York Public Library
Saturday, March 23, 2019
12:00 – 5:00pm
New York Public Library
South Court Classrooms
Celeste Auditorium Lobby
476 Fifth Avenue
New York, NY 10018

Admission is free, but online registration is required. Please register here.

Want to help improve representation of women artists and practitioners on Wikipedia? Join our Wikipedia Edit-a-thon on Saturday, March 23 2019!

Organized by Asia Art Archive in America and Miriam and Ira D. Wallach Division of Art, Prints and Photographs of the New York Public Library and in collaboration with Asia Art Archive in Hong Kong, the Art+Feminism: Wikipedia Edit-a-thon on Women in Art in Asia helps participants edit Wikipedia to create and improve articles about women artists and practitioners in and from Asia, including architects, designers, filmmakers, curators, and art historians. Books and research materials—as well as refreshments—will be provided.

This Edit-a-thon is aligned with the Art+Feminism 2019 Campaign, “a campaign improving coverage of cis and transgender women, non-binary folks, feminism, and the arts on Wikipedia”. Following up on two previously organized edit-a-thons on women in art and exhibition histories, this event is part of an ongoing effort to contribute to discussions about the representation of art and visual culture in Asia on open-source knowledge platforms.

Preparation:
1. If you don’t already have one, create a Wikipedia account (tips on creating a username) prior to the edit-a-thon.

2. Enroll as an editor on the event dashboard.

3. Attend our Wikipedia editing tutorial in advance on March 9th at the New York Public Library. An experienced Wikimedian will be there to assist us with technical questions.

4. Bring ideas for creating or improving articles on Wikipedia. If you are looking for inspirations, you may start with the suggestions compiled by the AAA-A/NYPL team. You can find them on the event dashboard.

5. Choose an article to create, or an existing article to improve or translate. Wikipedia recently made a policy change: New editors cannot create pages. Your account must have been active for over ninety-six hours, and must have made at least ten edits to create Wikipedia articles. If you want to create new articles, please work on a draft and we can help you to publish them.

6. Depending on how much you want to create on the day, you may also wish to do preliminary research on your chosen article and bring a previously written draft to the event. We will provide books, articles, and other reference materials on the day, but please feel free to do your own research beforehand.

On the Day of the Edit-a-thon
The AAA in A and NYPL teams will lead two thirty-minute tutorial at the beginning of the session. Representatives from the Wikimedia NYC chapter will be there to assist us with technical questions.

Please bring a laptop, power cord, ideas for entries that need updating or creation,  and if you want to prepare beforehand, reference materials. There are two main ways to contribute to the Edit-a-thon: improving existing articles and creating new ones. A list of suggested articles and topics will be provided, and relevant reference books and online resources will be made available.

Snacks and beverages will be provided during the event. The editing-averse are always welcome to stop by to show their support!

Edit-a-thon Schedule:
12:00 p.m. – Check in and Wikipedia Account Creation
12:15 p.m. – Wikipedia editing training session
1:15 p.m. – Wikipedia editing training session
2:00 – 4:30 p.m. – Open editing for participants
4:30 p.m. – Group sharing session and reception

Further information, instructional guides, and topic suggestions are available on our Wikipedia Dashboard.

Image: March 2018’s Wikipedia Edit-a-thon on women in art in Asia at the AAA in A offices. Photo: Haruka Motohashi.

ALL KEYWORDS

20th century, abstract art, Abstraction, Access, acrylic, acrylic painting, Afghanistan, Alternative Space, American History, american revolution, Animation, Anthology, anthropology, Architecture, Archive, art, Art Administration, art and society, art history, art writing, Artificial Intelligence, artist book, artist's book, artist’s book, asia, Asia Art Archive, Asia-Pacific Triennale, Asian American, Australia, Automation, Autonomy, avant-garde, Bangladesh, Brooklyn, Buddhism, Burma, Butoh, Cambodia, care-giving, Catalogue, Censorship, Central Asia, ceramic art, ceramics, Chance, charcoal, Chengdu, China, Chinatown, chinese, Chinese-American, cities, civil rights movement, collage, Collecting, collection, Collections, Collective, Collectivity, commercial art, Communism, Composition, conceptual art, conceptual photography, Conservation, contemporary, contemporary art, Cultural Revolution, culture, Curating, Cutlural Revolution, Dance, Design, desire, Diaspora, digital, Digital Archives, digital art, digital poetics, digital print, Displacement, DNA, Documentary, Domestic Labor, Drawing, east asia, Economics, Education, encyclopedia, EPOXY, essays, exhibition, Exhibition History, Experimental Music, family, Family Archives, Family Images, Feminism, Festivals, fibre art, Fiction, Field-recording, Film, Fluxus, Folklore, Form, Foundations, Gender, Genetics, Geography, ghosts, Godzilla, Graphic Novel, group exhibition, Gutai, Gwangju Biennale, heneng, histories, history, Hong Kong, hong kong S.A.R., humanities, Identity, imagined realities, Imaging, Imitation, immigrant, in situ, independent art space, Independent Publisher, Index, India, Indonesia, Infrastructure, ink, ink and colors, ink painting, ink-painting, Installation, installation art, Institution, Internet, Iran, Island, Japan, jiang tiefeng, Khmer Rouge, Korea, Labor, Land, Land Art, Language, Lhasa, Libraries, literature, liu shaohui, Locality, Madagascar, Malaysia, Manananggal, Map, mapping, Memory, Mexico, Migrant Workers, Migration, Miniature Painting, Minimalism, mixed media, mixed-media, MOCA, Model Opera, modern art, mourning, Moving Image, multi-media art, multimedia, multimedia art, Murals, Museum studies, Museums, Music, Myanmar, mythology, nationalism, Nations, New Media Art, New York City, North Africa, nostalgia, oil, oil painting, Oral Histories, Organization, painting, paintings, Pakistan, Pakistani, participatory, Pedagogy, people, Perennial exhibition, Performance, performance art, Philippines, photo installation, photograph, photographs, Photography, politics, Pop Culture, Pop Music, Preservation, print, printmaking, prints, Propaganda, Protest, Public Space, Publication, Publishing, Realism, Research, Revolution, Saudi Arabia, Sci-Fi, Science, Sculpture, Secrets, Shamanism, Singapore, slavery, Small Press, social histories, socialism, Socialist Realism, socially engaged art, sociology, sociopolitical, Sonic Art, sound, Sound Art, South Asia, South East Asia, south korea, Southeast Asia, spirituality, Sri Lanka, structural film, Surveillance, System, Taiwan, technology, Television, text, Thailand, the Middle East, The Philippines, Theater, Tibet, Time-Based Media, Tomato Grey, Tradition, trama, triennial, Tunisia, uncertainty, United States, united states of america, Unity, USA, Uyghur, Vampires, Video Art, Video Game, Vietnam, Violence, Virtual Reality, visual arts, visual culture, VR, War, water color, Water Rights, watercolor, watercolour painting, woman artist, women, women artist, women artists, wood, woodcuts, writing, Xinjiang, yunnan school of painting, Zhejiang Academy, Zine

ARTISTS, CRITICS, CURATORS, AND OTHER CONTRIBUTORS

Aisha Khalid, Aki Onda, Alexander Keefe, Alexandra Chang, Alexandra Munroe, Alf Chang, Amy Lien, Amy WOOD, Annysa Ng, Anthony Yung, Arin Rungjang, Ashley Billingsley, Ashok Sukumaran, Bani Abadi, Bani Abidi, Barbara London, Benjamin Moskowitz, Beth Citron, Betsy Damon, Bing Lee, Birgit DONKER, Boon Hui Tan, Boris Groys, Brinda Kumar, Cai Guoqiang, CAMP, Cao Fei, Casey Tang, Chang Chao Tang, Chen Chieh-jen, Chen Tong, Chen Wei-ching, Chen Xiaomei, Chihoi, Chitra Ganesh, Christoph NOE, Christopher K. Ho, Christopher Phillips, Chương-Đài Võ, Cici Wu, Cooperativa Cráter Invertido, Cosmin Costinas, David Smith, Desire Machine Collective, Dinh Q Le, Dooeun Choi, DREAMER FTY, Ei Arakawa, Eleanor Heartney, Enzo Camacho, EPOXY Art Group, Erin Gleeson, Eugene Wang, Fang Lu, Farah Wardani, Fei Dawei, FENG Yuan(馮原), Franklin Furnace, Frédéric Dialynas Sanchez, Furen Dai, fwf, Gao Shiming, Gianni Jetzer, Glenn Phillips, Go Hirasawa, Hajra Waheed, Hammad Nasar, Heman Chong, Herb Tam, Hiroko Tasaka, Hitomi Iwasaki, Ho Tzu Nyen, Howie Chen, Hsu Chia-Wei, Huang Chien-Hung, Huang Hua-Chen, HUANG Xiaopeng, I-Hua Lee, Il Lee, Ingrid Chu, Interference Archive, Jaeyong Park, Jane DeBevoise, Jean-Hubert Martin, Jen Hoyer, Jen Liu, Jennifer Davis, Jewyo Rhii, Joan Lebold Cohen, Joanne, John Pirozzi, John Tain, José Maceda, Julian Ross, Jun Yang, June Yap, Kaho Albert Yu, Katherine Grube, Kim Yong-Ik, Kimia Maleki, Kit Yi Wong, Koki Tanaka, Korakrit Arunanondchai, Laurel Ptak, Lê Thuận Uyên, Lee Kit, Lee Mingwei, Lee Weng Choy, Lesley Ma, Levi Easterbrooks, Li Ming, Li Ran, Li Xiaofei, Liang Jianhua, Lin Yilin, LinDa Saphan, Lisa Ross, Liu Ding, Liu Shiyuan, Lynn Gumpert, Lyno Vuth, Maline Yim, Mao Chenyu, MAP Office, Margaret Lee, Margo Machida, Mariam Ghani, Martha Wilson, Marvin Taylor, Meghan Forbes, Meiya Cheng, Mel Bochner, Michelle Wong, Michelle Yun, Midori Yoshimoto, Ming Fay, Minoru Yoshida, Miwako Tezuka, Moe Satt, Mukaddas Mijit, Murtaza Vali, Museum of Unknown, Nadim Abbas, Naeem Mohaiemen, Nate Hun, Nico Baumbach, Nikhil Raunak, Nonny de la Peña, Nora Taylor, nos:books, Ocean Leung, Onejoon Che, Pad.ma, Pak Sheung Chuen, Pan An-yi, Park Chankyong, Passenger Pigeon Press, Patty Chang, Pi Li, Polit-Sheer-Form Office, Prem Krishnamurthy, Qiu Anxiong, Qiu Deshu, Qiu Zhijie, Rabbya Naseer, Rania Ho, Raqs Media Collective, Reiko Tomii, Richard Vine, Rina Banerjee, Risha Lee, Rob Smith, Roslisham Ismail a.k.a. Ise, Ruijun Shen, Ryan Lee Wong, Saadia Toor, Sabih Mohd Ahmed, Sam Hart, Samita Sinha, Samsom Young, Samson Young, Sareth Svay, Sean Anderson, Sen Uesaki, Shaina Anand, Shanta Rao, Sharmini Pereira, Shen Xin, Shiraga Kazuo, Shuddhabrata Sengupta, Simon Wu, Sming Sming Books, Sohl Lee, Son Ni, Song Dong, Sopheap Pich, Stephanie Comilang, Stephanie H. Tung, Stephen Teiser, Su Yu-Hsien, Sung Hwan Kim, Sunghee Lee, Tabaimo, Takahiko Iimura, Takako Tanabe, Takeshi Ikeda, Tammy Nguyen, Tang Kwok Hin, Taro Hanaga, Teresa Kwong, The Dunhuang Foundation, The Otolith Group, Theresa Hak Kyung Cha, Tiffany Chung, Tobias Madison, Tom Looser, Trần Minh Đức, Uli Sigg, Umber Majeed, Vivian Sming, Wang Jianwei, Wang Jing, Wang Wei, William LIM, Work on Work, Wu Shanzhuan, Xiaoyu Weng, Xie Xiaoze, Xin Wang, Xu Bing, Xu Tan, YANG Jiechang, Yang Wang, Yin Xiuzhen, Ying Kwok, Yoon Hwan Bae, YOUNG-HAE CHANG HEAVY INDUSTRIES, Yung MA, Zhang Hongtu, Zhang Peili, Zheng Shengtian, Zhenzhen Qi, Zhou Tao, Zoe Butt