Claire Chase: Density 2036, part viii
December 9, 2021 – December 11, 2021
512 West 19th St.
New York, NY
Celebrated flutist Claire Chase returns to The Kitchen to perform the world premieres of new compositions by composers Ann Cleare, Matana Roberts, Lu Wang, and Bora Yoon, commissioned by Chase as part of her 26-year Density 2036 project to find radical, new musical terrain for the flute and its community in the 21st century. Organized by Matthew Lyons, Curator.
Claire Chase is a soloist, collaborative artist, educator, curator and advocate for new and experimental music. She has given the world premieres of hundreds of new works by a new generation of composers, and she has championed new music internationally by forming organizations, cultivating intersectional alliances, founding commissioning initiatives and supporting community and education programs that reach new audiences. She was the first flutist to be awarded a MacArthur Fellowship in 2012, and in 2017 was the first flutist to be awarded the Avery Fisher Prize from Lincoln Center for the Performing Arts. Chase has been awarded Honorary Doctorates from The Curtis Institute of Music and The Cleveland Institute of Music. In 2013, Chase launched Density 2036, a 24-year commissioning project to create an entirely new body of repertory for flute between 2013 and 2036, the centenary of Edgard Varèse’s groundbreaking 1936 flute solo, Density 21.5. Each season as part of the project, Chase premieres a new program of commissioned music, with seven hours of new repertory created to date. In 2036, she will play a 24-hour marathon of all of the repertory created in the project. Chase released the world premiere recordings of the first five years of the Density cycle in collaboration with the producer Matias Tarnopolsky at Meyer Sound Laboratories in Berkeley, CA in December 2020.
Claire Chase: Density 2036, part viii is made possible with commissioning support from NYSCA Restart NY: Rapid Live Performance Grant program; endowment support from Mary Flagler Cary Charitable Trust; annual grants from The Amphion Foundation, Inc., The Aaron Copland Fund for Music, Howard Gilman Foundation, and The Fan Fox and Leslie R. Samuels Foundation; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.